After 14 years devoid of romance, a struggling movie producer and single mom faces the unexpected arrival of 4 men into her life—an author, an actor, a CEO, and a younger man—who might just revive her dormant desire for love.

A once accomplished sculptor, a former college art teacher, but now a lonely graveyard shift doorman, Abner Roth is sadly a mere shadow of his former self. Having lost the love of his life and haunted by the death of a woman in a terrible car accident a year ago, he is desolate and suicidal but amusingly so. Step in Zoe, a free spirited taxi driver with a large hart and persuasive disposition. Zoe's energy and outlook help Abner look at life anew and try to reconcile his conflicted past.

A couple reunites after a long separation to find themselves in a world that seems designed for their enjoyment and comfort. They immediately get married. During the ceremony, the Judge marrying them confronts them with the reality of their own mortality and challenges them to fight together against death. This perfect wedding day is returned to periodically throughout an examination of their future as they cope with life, love, and death.

When her family becomes suddenly homeless, Woojoo decides on revenge for all the injustices she has been put through. However, her supposed foe, Dongjin, is a heart-wrenchingly lonely and gentle soul.

With the outbreak of the Korean War, Su-ji and Oh-mok lose their parents. Along with their brother Su-cheol, they go live with their mother's parents. As they go to take refuge, Su-ji loses Oh-mok by accident. Time passes and with her older brother Su-cheol's success, Su-ji enters the high society. But due to the guilt of losing her younger sister Oh-mok, she does a lot of charity work constantly looking for Oh-mok. When Su-ji finally finds Oh-mok in an orphanage, she turns coldly away from Oh-mok for not having any evidence to prove that she is her sister. Oh-mok marries Il-hwan whom she has met at the orphanage and they live a hard life. Finally, Su-ji is convinced that Oh-mok is her sister but after living through such hardship, Oh-mok breathes her last.

From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself.

This film examines the masterwork album by the Beatles, Sgt. Pepper's Lonely Hearts Club Band, released in 1967, with its creation, themes and impact explored in turn. In addition, this film explores the summer of that year with the rise of the counter-culture and hippies for instance, and the whole notion that love and music could change the world.

Po Yuan Juan’s It was just a virtual kiss is a game video essay that reimagines a love story unfolding within the world of World of Warcraft. The narrative transforms the virtual realm into a canvas for exploring how players construct and extend their identities, using digital avatars as vessels for intimacy. By venturing beyond the screen, the characters evoke the illusion of tangible connection — touching, embracing, and even kissing— across diverse fantasy incarnations. Employing a blend of machinima and computer-realistic animation, the work challenges traditional perceptions of the body, proposing a new, digitally constructed form of existence. The game world becomes a meeting ground for digital haptic perception and actual bodily movement, effectively blurring the line between the virtual and the real. This immersive exploration prompts several provocative questions: Could alternative forms of embodiment exist beyond our physical limitations? To what extent does media technology overcome the constraints of the human body? Might these digital embodiments inspire a new kind of spirit or emotional connection?

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An entrepreneur discovers a Russian plan for taking over the Middle East. He wants to use it to create a new video game but the KGB, the CIA and the FBI have different ideas.